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50 Licks Country Style - VHS Video
Hal Leonard
Learn the techniques and style of today's most popular country guitarists! Troy takes players step-by-step through classic country style licks that can also be used in blues, rock and rockabilly. He demonstrates pedal steel licks, bluegrass licks, cascading licks and licks using harmonics, intervals, triads, bends, chromatic passages, arpeggios, open strings, double stops and more!
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A Charlie Brown Christmas - Piano Fake Book
Hal Leonard
10 songs from the contemporary classic Christmas soundtrack, including: Christmas Is Coming ? Christmas Time Is Here ? Für Elise ? Hark, the Herald Angels Sing ? O Tannenbaum ? Skating ? What Child Is This ? and more.
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Access Virus TI Desktop Synthesizer Module
Access
Access is excited to announce the new VIRUS Total Integration (TI) Line of synthesizers, leading the world in a completely new direction with musical instrument and pro-audio convergence. TOTAL INTEGRATION uses innovative technology to greatly expand the VIRUS Synthesizer, resulting in an advanced stage/standalone instrument, while simultaneously extending the product capabilities with a suite of compelling studio integration features. New synth features include greatly increased polyphony, 2 new oscillator types, a per-patch programmable arpeggiator, 16x2 delay/reverb fx, embedded singles in multi mode, and much more. The new TI products link to your computer with VIRUSControl™, a companion software product which ports the hardware synth into a host sequencer for use as a sample-accurate VST/AU instrument, simultaneously offering 2-way audio and MIDI connectivity, control surface functionality, editor and librarian functions, and more. Other Features: Dual DSP system with over 80 stereo voices under average load. (Load depends on which oscillator / filter model has been chosen)VirusControl™ VST and Apple Audio Unit Plug-for Mac OS X and Windows XP. The remote seamlessly integrates the Virus TI into your sequencer, making it feel just like a plug-inThe Virus TI’s Audio and MIDI inputs and outputs can be used by the sequencer application as an audio and MIDI interfaceThe Virus TI is the first hardware synthesizer with sample-accurate timing and delay-compensated connection to your sequencerWaveTable Oscillators for a completely new array of sounds. WaveTable and conventional Virus oscillators and filters can be mixedHyperSaw™ oscillators with up to 9 sawtooths - each with parallel sub oscillator per voice (that’s over 1800 stereo oscillators @100 voices!)Independent delay and reverb for all 16 multi mode slots129 parallel effects. There is reverb and delay, chorus, phaser, ring modulator, distortion, 3 band EQ and the Analog Boost bass enhancer2 multi-mode filters (HP, LP, BP, BS) and the Analog Filter (modelled after the MiniMoog™ cascade filter with 6-24 dB Slope and self-oscillation)Dedicated remote mode turns the Virus TI into an universal remote control for VST / AU plug-ins and external synthesizers. 6 balanced outputs with +4 dB level and switchable soft limiting algorithm. Studio grade 192 khz D/A converters with S/PDIF digital I/O. 2x24 bit inputs. Surround sound capabilitiesTap tempo button. The algorithm is based on Access’ Sync Xtreme technologyProgrammable arpeggiator pattern for every patchKnob quantise for creating stepped controller movements. The stepping automatically syncs to the Virus clock or an incoming MIDI clock3 LFOs with 68 waveforms to choose from. 2 super fast ADSTR envelopesExtended memory: 512 RAM patches and 2048 ROM patches (rewritable)Adaptive control smoothing for jitter-free modulations on all important parametersNew multi mode with embedded patchesCompatible with USB 2.0 specif
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Access Virus TI Desktop Synthesizer Module Open Box
Access
Access is excited to announce the new VIRUS Total Integration (TI) Line of synthesizers, leading the world in a completely new direction with musical instrument and pro-audio convergence. TOTAL INTEGRATION uses innovative technology to greatly expand the VIRUS Synthesizer, resulting in an advanced stage/standalone instrument, while simultaneously extending the product capabilities with a suite of compelling studio integration features. New synth features include greatly increased polyphony, 2 new oscillator types, a per-patch programmable arpeggiator, 16x2 delay/reverb fx, embedded singles in multi mode, and much more. The new TI products link to your computer with VIRUSControl™, a companion software product which ports the hardware synth into a host sequencer for use as a sample-accurate VST/AU instrument, simultaneously offering 2-way audio and MIDI connectivity, control surface functionality, editor and librarian functions, and more. Other Features: Dual DSP system with over 80 stereo voices under average load. (Load depends on which oscillator / filter model has been chosen)VirusControl™ VST and Apple Audio Unit Plug-for Mac OS X and Windows XP. The remote seamlessly integrates the Virus TI into your sequencer, making it feel just like a plug-inThe Virus TI’s Audio and MIDI inputs and outputs can be used by the sequencer application as an audio and MIDI interfaceThe Virus TI is the first hardware synthesizer with sample-accurate timing and delay-compensated connection to your sequencerWaveTable Oscillators for a completely new array of sounds. WaveTable and conventional Virus oscillators and filters can be mixedHyperSaw™ oscillators with up to 9 sawtooths - each with parallel sub oscillator per voice (that’s over 1800 stereo oscillators @100 voices!)Independent delay and reverb for all 16 multi mode slots129 parallel effects. There is reverb and delay, chorus, phaser, ring modulator, distortion, 3 band EQ and the Analog Boost bass enhancer2 multi-mode filters (HP, LP, BP, BS) and the Analog Filter (modelled after the MiniMoog™ cascade filter with 6-24 dB Slope and self-oscillation)Dedicated remote mode turns the Virus TI into an universal remote control for VST / AU plug-ins and external synthesizers. 6 balanced outputs with +4 dB level and switchable soft limiting algorithm. Studio grade 192 khz D/A converters with S/PDIF digital I/O. 2x24 bit inputs. Surround sound capabilitiesTap tempo button. The algorithm is based on Access’ Sync Xtreme technologyProgrammable arpeggiator pattern for every patchKnob quantise for creating stepped controller movements. The stepping automatically syncs to the Virus clock or an incoming MIDI clock3 LFOs with 68 waveforms to choose from. 2 super fast ADSTR envelopesExtended memory: 512 RAM patches and 2048 ROM patches (rewritable)Adaptive control smoothing for jitter-free modulations on all important parametersNew multi mode with embedded patchesCompatible with USB 2.0 specif
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ADK A-48 Vintage Valve Series Condenser Microphone
ADK
This is a Class A tube switchable 9-polar pattern condenser mic with dual 1-inch diaphragms. The A-48 is a large diaphragm tube condenser microphone featuring a transverse mounted 12AX7 tube, 1.07" dual diaphragms, external power supply, and a vintage sound that will resurrect that 'classic' tube sound. It includes a 6072A valve, external power supply, shock mount and a premium aluminum flight case.
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ADK A-51 DLX Cardioid Studio Condenser Microphone
ADK
The ADK A-51 Condenser Microphone is designed for use in studios, concert halls and for broadcast applications. They are well-known for their wide frequency response, smooth response curve, large dynamic range and low distortion. Both the A-51 and A-51S feature a 1" Gold Sputtered Diaphragm and discrete Class A electronics featuring a transformer coupled balanced output. Works very well for vocals, choirs, acoustic guitar, fretted instruments (Banjo, Mandolin, Dobro, etc.), reeds and woodwinds. Mellow enough for Nashville, just enough shimmer for NY & LA.
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ADK A-51S DLX Cardioid Studio Condenser Microphone
ADK
The ADK A-51s Condenser Microphone is designed for use in studios, concert halls and for broadcast applications. S is for SPL! Vocals, Choirs, Acoustic Guitar, Fretted Instruments (Banjo, Mandolin, Dobro, etc.), Reeds and Woodwinds. Plus: Drums Especially Floor Toms, Drum Overheads; Electric Guitar and Bass, All Percussion Instruments, Piano. In short, the "S" will do anything the A-51 does PLUS it is designed for high SPL applications. They are well-known for their wide frequency response, smooth response curve, large dynamic range and low distortion. Both the A-51 and A-51S feature a 1" Gold Sputtered Diaphragm and discrete Class A electronics featuring a transformer coupled balanced output. Mellow enough for Nashville, just enough shimmer for NY & LA.
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ADK A-TWIN Studio Microphone Pack
ADK
Studio A Twin includes a New Model A Type V Large Diaphragm Class A XFO-Coupled Condenser Microphone which has a Response Curve that blends two distinct European Response Curves. Add one 20mm Wide-Cardioid True-Condenser and you have the perfect one-two combination for stereo guitar recording, or for instrument and voice recordings. Plus: ADD Two FREE 9 Meter Oxygen-Free Copper Cable with XLR Connectors and you can see why ADK has consistently received five out of five stars for value. ADK is a company founded and run by musicians! ‘Retro-Sonics’ - the key to ADK’s unique sonic signature! Comes with an A-51 and SC-1
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ADK SC-1 Small Capsule Condenser Microphone
ADK
A quality ADK microphone that gives a classic sound at an excellent price. This product is excellent for use with overheads and acoustic instruments such as Guitar, Piano, etc. Use an A-51 on the Sound Hole and A-51SC on the 12th Fret on Acoustic Guitar for a great Stereo Acoustic Guitar and get great clarity and also very good sonic detail This microphone loves fretted instruments: flattering on most stringed instruments.
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ADK TC Cardioid Tube Condenser Microphone
ADK
This has considerably more richness and character, handled the sibilants and plosives much more smoothly [than] another large-diaphragm tube mic that cost twice as much as the ADK, and was easier for the (male) talent to "work" closely without bumping up against the proximity effect. Applications include male and female vocals, acoustic and electric guitar, reed Instruments (sax), strings (violin, viola, cello, and contrabass), drum overheads, or anywhere you would use a Vintage Tube Microphone.
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Advanced Scale Concepts And Licks For Guitar - MI Instruction Book with CD
Hal Leonard
MI instructor Jean Marc Belkadi reveals the secrets to creating interesting, over-the-top phrases. This book is the complete resource for applying pentatonic, harmonic minor, melodic minor, whole tone, and diminished scales. The CD includes 99 full-band tracks.
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Ahead (Pair) PC3 Peter Criss Studio Drumsticks
Ahead
Ahead Drumsticks come with a built-in Vibration Reducing System (VRS) to reduce hand fatigue and allows you to play longer and faster. These sticks have a precision crafted alloy core to guarantee weight and balance varaition of less than 1%, compared to wood at potential variations approaching 20%. The nylon tips are designedfor super high impact and can be changed to different shapes to fit every style of play. Ergonomically tuned handle diametersSuper hare replactment polyurethane covers protect both the sticks and the gear
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AKG C 3000 B Stage and Studio Condenser Microphone
AKG
The earlier model C 3000 has had a large fan club in the project studio and home recording worlds for years. For the new C 3000 B, AKG designed a special 1-inch large-diaphragm transducer that closely approximates the vibration performance of top-class studio microphones, but can be made at much lower cost. Due to its surface area and special capsule tuning, the C 3000 B large-diaphragm transducer produces an exceptionally pleasing, smooth sound. Unlike in the C 3000, the switchable 10-dB preattenuation pad immediately follows the transducer in the signal path, thus increasing the C 3000 B's SPL capability by a true 10 dB. Loud sound sources are therefore no problem. An acoustically optimized cardioid polar pattern makes the C 3000 B an excellent choice for both recording and live sound applications where high gain before feedback is paramount.
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AKG C 4000 B Stage and Studio Microphone
AKG
The genuine 1-inch dual-diaphragm condenser transducer with selectable cardioid, omnidirectional, and hypercardioid polar patterns will enchant you with its unique state-of-the-art sound. Designed for miking up vocals, brass, acoustic and electric guitar, and kick drum, the C 4000 B can handle every recording situation. Exceptionally high headroom and extremely low self noise put the C 4000 B among the condenser microphones with the widest dynamic range available today and it will give equally excellent results in the studio and on stage. A switchable 10-dB preattenuation pad allows the C 4000 B to be used for close-in miking of instruments producing extremely high sound pressure levels such as guitar amps etc. A switchable bass cut filter eliminates low-frequency noise. One of the most silent condenser microphones available todayUp front sound in the mixSelectable cardioid, hypercardioid, and omnidirectional polar patterns for every recording situation
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AKG C 414 B-XLII Stage And Studio Condenser Microphone
AKG
A classic microphone with a distinctive timbre especially designed for recording of solo vocals and solo instruments. With the introduction of the NeXt Generation C 414 B-XL models, AKG sets new benchmarks for useful features, improved technical specifications, ease of use and available accessories. All of these improvements are answers to requests from ever-demanding recording studios, broadcast stations and concert engineers, but with the basic sonic character of the legendary C 414 unaltered. High sound pressure level capability and wide dynamic rangeCompletely immune to electrostatic and electro-magnetic interference from digital gear, computer monitors, etc. thanks to solid metal housing and transformerless output stageThree switchable bass cut filters and three pre-attenuation pads with LEDs for quick visual indicationAll switchable components operate in low impedance circuits for ultra-high reliability even in extremely humid conditionsOptional R 414 remote control unit (available by the end of 2004) offers full control of all switchable parameters via standard microphone cable and 3-pin XLR-type connectorsHigh sensitivity and extremely low self noiseFive switchable polar patterns for placement and application flexibilityTwo-color LEDs provide quick visual indication of selected polar pattern and output overloadElastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibrationH 85 professional shock mount/stand adapter, PF 80 external pop filter and W 414 X external windscreen.
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